Thursday, December 29, 2011

Surrendering Dust


If all time is eternally present,
                        All time is unredeemable...”  
                                                             T.S. Eliot, “Burnt Norton”

The dust stirred of its own
On a windless day—
Maybe the sunlight,
Or the memory of dew
Drying in warmth from the sun
Lifted the dust.
We cleared the orchard of children
Counted four—
What of the fifth?
Was there a fifth?

We forgot the one fond of small spaces
She made so little sound
For one who liked to sing—
You had to know where to listen,
In the silence of song
Under tunnels of leaves,
Burning green in the early hours,
Darker by moonlight.
At the sound of footsteps
Only the leaves breathed.
Her eyes became blackberries—
You wouldn’t know
They kept watch.

After the playing in leaves
Was done,
We accustomed ourselves to what remained,
Compensating by reflex.
How can you miss what never was there,
Or no longer there?
How can you grieve what you never had?
What might have been
And what has been
Are all the same, we’re told—
Eternally Now, in serenity of things present,
Surrender the lost time
Surrender the lost...
Surrender.

As if calling it such
Fills the body of word—
No hollow words—
Repeating them often
At least makes a sound
Somewhat of words—
Surrendering dust made a blanket
Of time,

But under it slumbered
The one we forgot,
Except in matters of song
That stayed in small places
However we tried.
She must have thought we tucked her in
Forgetting the lullaby
Forgetting the prayer—

She loved thick blankets
And stars she could see
Through the window.
She said she could hear
The music of stars,
That everyone could
If they learned to be still.
How could we know she was sleeping,
When she stayed so still?

She must have been dreaming of song,
Stirring the dust on a windless day,
With sunlight lifting the leaves—
Not hearing footsteps approach
From the Second World
That doesn’t know of
Dust and leaves,
And what can sleep under them
In tunnels made gold—

How could we know she was sleeping,
            When she stayed so still?

She said everyone could,
Regardless of Worlds, apparently,
Or she wouldn’t have listened to you
Come out of there now,
You’re somewhere—
Startled, she burst from the leaves
Like a pheasant, scaring the horse,
Settled at flight distance
Watchful, awake—
A small feather came away in your hand,
But from the other world
You couldn’t have seen.
She stayed for the song.

If time is unredeemable,
Yet all eternally present,
What is Surrender
But a false word that means
Something like sleep
Or forgetting?
Redeeming time is the Now
That cancels the lost—
The finding and making
Here, if we learn to be still
Is the music of stars.

We fight so little,
And not long enough,
Too easy acceptance
Too much moving past,
We call it a Life,
Repeat the word often,
At least making sounds
Of something like words—

Humankind can bear Reality,
As we bear the pain of birth,
A fact to be accomplished
In defiance of Time
That tells us to leave
The dust unstirred.
                                                              December, 2011

                                                              

Tuesday, December 13, 2011

Order of Service

The practicality of a Living Will
Secured her clean exit prior to the fact,
Stalled family disputes--
The elderly woman was efficient,
With an excellent eye for detail:
 
          Bought the casket,
          Designed her stone,
          Selected hymns for the service,
 
And was the first church member
To reserve the Sunday flutist
For her funeral songs,
Fancying the thought of a single pipe
Warbling like a ruffled wren—
She imagined herself perched
On a branch outside the church
Looking in to see the service
Unfold as planned. 

It surprised her,
The satisfaction it brought,
Preparing her Event—
Surprised her too that no one found it morbid.
People these days are improving, she thought,
Better at saying the right thing.
So far, everyone had said the right thing:

“Of course, Miss Evelyn,”
“As you wish,”
“I’d be honored.”
Her oldest daughter even offered to help,
Suggested a trip to the mall to buy clothes.
They passed an evening together
Sorting family recipes, deciding about the meal.
It reminded her of when they planned the wedding,
Except without the date set, or the RSVP—
The excitement of Occasion,
All in the Order of things.  

She felt a sense of accomplishment,
When there was nothing left but the waiting.
Words of benediction rose unbidden in her mind,
The Peace which passeth all human understanding...
Yes, that was it—
Beyond understanding—
A burden lifted, as if her decisions had
Settled something vague, but once and for all,
Like separating eggs,
Or sieving broth.  

Still, she went over details in her mind,
Of the corpse itself, what would show,
Who would do the washing and dressing.
She hoped it would be a woman, at the funeral home—
                                                           Someone kind.

                                                 
December 13, 2011


           
           
           

Tuesday, December 6, 2011

Eurydice Released


Upon return,
She spoke in strange words,
Or words familiar, but the application
Too old, or new, or still wet
From the oceans between worlds,
Where she accepted instruction
In all forms of water travel. 

She prefers her music purple, for example,
For how it flashes dark
Against the black sky—
Says Thunder really isn’t as loud as all that,
How on the other side it’s soft to the touch,
More like tiger fur than large drums.
She loosens her hair to blow wild
For Brahms.

She explains how she learned
That when God separated the Waters
From the Air, in the Beginning,
That they derived from the same substance,
And this is why the streams and currents interchange,
As we interchange, forgetting which Element
Owns us, for the moment—
Sound or silence,
Arrival or departure,
Grief or joy. 

At the moment of her release,
She confused Heaven and Hell,
Thinking God might be in both places,
Or how else was this possibly God?
The last gate vanished,
If it was ever there to begin with. 

Despite her Odyssey,
Her return has gone remarkably well.
She’s fond of clothes shopping
At the finer stores,
Seeks good conversation over meals,
And favors street musicians,
After the opera lets out,
Where once again the world
Rejoices her release,
While Ovid rolls in his grave
Cursing Peri. 

                                                December 6, 2011

Note:  In his opera of 1600, Peri and Cacinni changed the ending of Ovid's account of the myth of Orpheus and Eurydice, allowing them to rejoice together upon Eurydice's release.  Montiverdi, however, stayed true to the original.

Friday, December 2, 2011

Prosthetic

In peaceful levitation,
She looks down
From the sterile ceiling
Upon procedures executed
With cold skill--
Amputations, autopsies--
She watches, coma-like,

                                      But better
To find that faint water stain
Shaped like a small footprint,
Like the one on her Certificate,
And stare at it instead,
Wondering where the child went
Who could walk upside down
On ceilings in her room.

Or did she do that?

Eventually she was cured,
Stitched to a prosthetic body
Very life like,
And released.

See the tricks she makes it do
In a show of Fakir magic:
          Dissolves herself into air
          Impervious to mortal pains,
          Walks barefoot over broken glass--
          Never of this world
          But some days,
                    Good enough to pass.

                                                                 September 6, 2011

 

Sunday, November 27, 2011

Eurydice

He looked back
Before I could change
Thick iniquitous mist
Into a semblance of sunlight,
At least a thin gown
For dignity to cover
Where the naked eyes
Of the damned
Still scorched my skin.
 
His hero’s song
Assumed I would meet his pace,
As proper hero’s wives all should,
But which of those have been to hell?
Thus his seizing look
Unstitched my still uncertain form,
Ashamed as it was,
Unclean.

Penelope was the seamstress – not I.

When the gate locked again,
I walked the worn path
To my stiff bed above the rocks,
Surrendered Orpheus to the Maenads,
Waiting now on no man’s song.

Every day I swim the sea of souls,
Counting miles to match the earth,
Imagining Odysseus in female form,
Swimming her way home,
Beating waves into submission
Over the wine dark sea.


                                                                                                 October, 2011

Sunday, November 20, 2011

Leavings

Her flute trailed a stream of song
     We looked for long beyond
     The expectation of a final note
     That didn't come--
She walked stately off the stage
Before the song was done,
     Her rippling gown
     A floating image,
                    Then gone.

Silence lifts from sound,
          Infinitely thinned
Beyond our reach to perceive
Silver notes now hard to catch
                    As fireflies,
With ways of saying what they mean,
As if the air, at night, is precisely what it seems,
               Wetting our feet with dew--
How many stories can there be?
Too many, or too few?

The impossibility of articulating
The same phrase twice,
Precisely duplicating
Every entrance, exit,
Accidental imperfection
Argues for infinity.
Give every note its worth,
Our teachers say.
               We wish on falling stars.

 
If I've learned it correctly,
It always comes back,
A sense of standing
Close to castles in the dark,
Where moonlight settles on stones
Watered by wind in dreams;
A sense of standing
Close to water in the dark,
The air precisely what it seems--
Our echo of story and song.

August, 2011
for Susan Fries,
who taught me first

Friday, November 18, 2011

Bone Flute

Breath through old bones,
Hollow pipes reverberating
Flight and sounds of wings,
Violence of teeth and fur
Left to cast their dreams
In the dark, fragments
Stripped of referents
We speculate,
Not recreate.
Not wholly dead,

No need for faith to prove
What fell on human ear,
Element of ritual, dance, or death—
The simplicity of caves
Saying bones aren’t done
Speaking yet
Where sound, and hope of song,
Go on.

Breathe upon these slain
So many like me
Littered over valleys—
Tribes, nations, daughters
Dry bones, disassembled
Behold, I will cause breath to enter into you,
And ye shall live.
Waiting to hear what my bones
Will say

Since I wasn’t sure,
Through life—
But no need for faith to prove
Such elements of ritual, dance, or death—
Restore me to the simplicity of caves,
And I will know my bones
Aren’t done speaking yet,
Where sound, and hope of song,
Go on.
 
          November, 2011
                         For Jelle Atema, with thanks