I'm the flute in the fiddlers' circle
finding where the wild music lives,
from
the choir loft on those tame and quiet Sundays—
he
doesn’t know the children call him Knuckles
for
his stiff hands that offer stiff blessings—
the
kind of man who needs a thorn
to
rankle below the skin, to clarify
the
call for stiffness on a Sunday,
a thorn to straighten his posture,
thin
his lips, point his finger back to Eve
who lacked
discipline, offering fruit in a manner unedifying—
how
could I possibly edify, making my way alone,
and up
the mountain at that?
Sometimes
a banjo and bass to join the fiddles,
the
whiskered men kind to the pipe visiting from below,
never
asking my name or why I’m there,
finding
where the wild music lives
and
how to pull it from the air.
July, 2012
Black
Mountain, North Carolina
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